ƒvƒƒfƒ…[ƒT[ Produced by |
‘úg Œõ–¾ Mitsuaki Kusanagi |
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¬–쎛 MŽi Shinji Onodera |
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i“¡ ·‰„ Morinobu Shindo |
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ì Written by |
¬’r ˆê•v Kazuo Koike |
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㑺 ˆê•v Kazuo Kamimura |
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’r㠗Ɉê Ryoichi Ikegami |
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‹r–{ Screenplay by |
¬™ “N‘å Tetsutomo Kosugi |
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ŠÄ“Â Directed by |
ˆä㠑׎¡ Yasuji Inoue |
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ŽB‰e Director of Photography |
“s’z ‰ël Masato Tsuduki |
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ӟp Production Designer |
‹gàV ËŽq Shoko Yoshizawa |
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Æ–¾ Lighting Director |
“y‹ ‹Ó–ç Kinya Doi |
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˜^‰¹ Sound Designer |
“c•Ó ‹`‹³ Yoshinori Tanabe |
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•ÒW Editor |
“¡Œ´ ŒöŽi Kimitsuka Fujiwara |
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ŽB‰e•Žèƒ`[ƒt 1st Asst.Camera |
™Œ´ “T•F |
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ŽB‰e•ŽèƒZƒJƒ“ƒh 2nd Asst.Camera |
›Œ´ —Sˆê Yuichi Sugawara |
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Æ–¾•Žèƒ`[ƒt 1st Asst.Lighting |
ˆÉ“¡ LŽ¡ Shinji Ito |
Æ–¾•ŽèƒZƒJƒ“ƒh 2nd Asst.Lighting |
ŽR’† H’j Akio Yamanaka |
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Æ–¾•ŽèƒT[ƒh |
ìŒË ‹MG Takahiro Kawato |
Æ–¾•ŽèƒtƒH[ƒX 4th Asst.Lighting |
ŽR–{ ‘P—² Yoshitaka Yamamoto |
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˜^‰¹•Žèƒ`[ƒt 1st Asst.Sound |
×ˆä ‰Ã—Y Yoshio Hosoi |
˜^‰¹•ŽèƒZƒJƒ“ƒh 2nd Asst.Sound |
’†“¹ ˆêŒc Kazuyoshi Nakamichi |
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®‰¹ |
_ŒË FŒ› Takanori Kanbe |
®‰¹•Žè |
“c‘ã ”ŽŽi Hiroshi Tashiro |
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•ŠÄ“ƒ`[ƒt1st Asst.Director | ˜ZŽÔ ‰ëé•Masanobu Rokusha | •ŠÄ“ƒZƒJƒ“ƒh 2nd Asst.Director |
¶‹î ½ Makoto Ikoma |
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‹L˜^ Script Supervisor |
“à“¡ KŽq |
‹[“l Stunt Supervisor |
’†‘º Œ’l(JAE) |
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VE Video Engineer |
‰¡ŽR ä_ Takehiro Yokoyama |
•ÒW•Žè Asst.Editor |
•“c –í¶ Yayoi Kuroda |
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ƒrƒfƒI•ÒW Video Editor |
ûü“c °L Harunobu Takada |
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‹Zp‹¦—Í |
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IMAGICA ƒEƒGƒXƒg IMAGICA WEST |
ƒI[ƒJ[ Ohkar |
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‚l‚`‚o‚k‚d Maple |
ŠÖ¼ƒƒP[ƒVƒ‡ƒ“ƒT[ƒrƒX Kansai Location Service |
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–MŠyŠÄC Japanese Music Coordinator |
’†–{ “N |
ŽO–¡ü Shamisen |
dX ŽO‰Ê Mika Shigemori |
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ŽÂ“J Japanese Classical Flute |
ˆ¢•” ŒcŽq Keiko Abe |
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‘•’u Construction Supervisor |
“¡ì ’q Satoshi Fujikawa |
ƒZƒbƒg•t On Set Carpenter |
‘åÎ G”ü Hidemi Oishi |
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“h‘• Aging Painter |
ŽR–{ ‹vŒõ Hisamitsu Yamamoto |
”wŒi Scenic Artist |
“¡Œ´ ²l Akito Fujiwara |
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Œš‹ï Japanese Sliding Door Carpenter |
’†“‡ ‰p˜Ò Hideki Nakajima |
‘¢‰€ Greensman |
”¨ —T”V Hiroyuki Hata |
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‘•ü Set Dresser |
’·’Jì —DŽs˜CYuichiro Hasegawa | ‘•ü Set Decorater |
‹É•À _Žj Koji Kiwanami |
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Ž“¹‹ï Property Master |
²”Œ Œ«Ž¡ Kenji Saeki |
¬“¹‹ï Props Provided by |
‚’ä‰ï Kozu Shokai |
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ƒXƒ`[ƒ‹ Still Photographer |
“ü] M—² Nobutaka Irie |
¬“¹‹ï Props Provided by |
‹žã¤‰ï Keihan Shokai |
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ˆßÖ Wardrobe Supervisor |
A“c ŒõŽO Mitsuzo Ueda |
ˆßÖŒ»ê•t On Set Costumer |
ŒF“c ”üç‘ã Michiyo Kumada |
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”üÏ Key Make-up Artist |
ŽR‰º ‚Ý‚Ç‚è Midori Yamashita |
”üÏŒ»ê•t On Set Make-up Artist |
’JŒû —R_ Yoshihiro Tniguchi |
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Œ‹”¯ Key Hair Artist |
–kì ^Ž÷Žq Makiko Kitagawa |
Œ‹”¯Œ»ê•t On Set Hair Stylist |
¼‰Y ^—¢ Mari Matsuura |
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‰‰‹ZŽ––± Casting Coordinator |
ŽR‰º ‹`–¾ Yoshiaki Yamashita |
‚©‚‚ç Wig Maker |
ŽRè‚©‚‚ç Yamazaki Katsura |
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é“` Unit Publicist |
‰i‰ª ‹œŒ[ Yukihiro Nagaoka |
é“` Unit Publicist |
œA‰ª ŒO Kaoru Hirooka |
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isŽå”C Location Maneger |
¢ŒÃ ”ü’qŽq Michiko Seko |
is Production Assistant |
ˆÉ’B ’m‰i Tomonaga Date |
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ŽB‰e‹¦—ÍLocations |
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—´’J‘åŠw‘å‹{ŠwŽÉ Omiya Campus, Ryukoku University |
‹ž“s•¶‰»”Ž•¨ŠÙ The Museum of Kyoto |
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‹ž“sŽs”üpŠÙ Kyoto Municipal Museum of Art |
•óŒµ‰@ Hogonin Temple |
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‹ž“sE‘åŠoŽ› Daikakuji Temple |
Ž‰¤‰@ Rokuouin Temple |
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ã‰ê–Î_ŽÐ Kamigamo Jinjya |
”ª”¦–x‚ðŽç‚é‰ï Group to Preserve Hachimanbori Canal |
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“Œ‰f‘¾`‰f‰æ‘º Toei Movie Land |
Ž ‰êƒƒP[ƒVƒ‡ƒ“ƒIƒtƒBƒX Shiga Location Office |
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ƒLƒƒƒXƒeƒBƒ“ƒO
¥ƒfƒBƒŒƒNƒ^[ Casting Director |
ˆÀêŽ —¢Œb Rie Anzai |
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ƒ‰ƒCƒ“Eƒvƒƒfƒ…[ƒT[ Line Producer |
—é–Ø GŽi Koji Suzuki |
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§ì’S“– Production Manager |
Xˆä “Ö Atsushi Morii |
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‰¹Šy Music by |
Ž›“c Žu•Û Shiho Terada |
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‰¹ŠyƒR[ƒfƒBƒlƒCƒ^[ Music Coordinated by |
ˆ¢•” ‹½Žq Kyoko Abe |
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Šé‰æ Co-Producers |
—é–Ø —z Akira Suzuki |
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¯–ì i Susumu Hoshino |
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”‹–ì’J Šxm Takehito Haginoya |
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÷ˆä „’¼ Takenao Sakurai |
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Šâ‘º ‘å Dai Iwamura |
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‘åŠâ „ Tsuyoshi Oiwa |
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§ì‹¦—Í Co-Production |
“Œ‰f‘¾`‰f‘œ Toei Uzumasa Eizo |
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ȓ Produced by |
‚bE‚`E‚k CREATIVE ASSOCIATES LTD. |
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